ABSTRACT

Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.

chapter One|18 pages

The Unknown Art

Joyce and Cinema

chapter Two|12 pages

The New Fashionable Kinematographic Vein

chapter Three|18 pages

Bioscope

Portraits of Reality

chapter Four|16 pages

In the Linguistic Kitchen

Joyce, Eisenstein and Cinema Language

chapter Five|16 pages

Cinema Fakes

Film and Joycean Fantasy

chapter Six|16 pages

A Look Between

A Cinematic Analysis of “Nausicaa”